is a real death march. The pace is too slow to be an advancing, strong
army but more the slaughter of the remaining few. starts the rising from the
ashes lamenting theme - third age of things to come. The track develops
and introduces a beat at a leisurely pace that's really nice and easy.
The title reflects the scene well. It's the idea that large cities appear
as lifeless deserts to outsiders. Deserts also appear quite desolate to
many people but they generally contain substantial amounts of unique lifeforms.
I think is a great track - people like this track off
the album mostly as it's easy to identify with - very accessible to
the average listener. It's written by The Cure. It started with me playing
with the main backing track on the piano. I often sit at the piano and
play around with tunes and ideas and transfer them onto the computer
and explore other sounds. Essentially it isn't that different from the
Cure version just an instrumentation change but I really good one I
think. The fret-less bass works really well. You can tell it's me playing
a real one because of the slight tuning mistakes. But it adds to the
realism. Having old friends Alison and Llara sing on the track works
so well.
One technical thing that was really interesting
about this track is the vocals were recorded on a Yamaha CBX-D5 which
was my biggest purchase to date and still is (though I sold it for a
couple hundred dollars a few years ago). It never really worked properly.
I don't think I actually used it to record much else as it was so much
of a head ache to get it to work. It was invented for use with computers
and worked with Macs, Atari STs and also PCs. It didn't actually use
the computer to do the recording or the processing but you connected
it to the computer and a shared external harddrive. The computer was
just a user interface for it. It was quite limited in a modern sense
but it was a 4 track digital recorder. It had a couple of Yamaha SPX900
effects processors inside it which was a great benefit. It's real problem
was that it only worked with Cubase Audio on a PC and only with Windows
3.11. You could get it to work with later Windows if you bought a $200
upgrade for the unit. It's gone to a good home now. I bought the Echo
Audio Darla card in the late 90's which alongside a fast PC could do
numerous more tracks and without computers crashing after every second
take.
sounds a bit Alan Parson's Project as I listen to it now. It was the
start of my celebration of the cosmologist Carl Sagan. I never realised
that he was such a celebrity in the US. Living is Australia, Carl Sagan
was this guy who hosted a science series on public TV called "Cosmos"
which I watched religiously. I had always really enjoyed science especially
electronics and astronomy. I looked forward to studying the area at
high school but a set of bad teachers put me off the area totally. It
took Carl Sagan's "Cosmos" to get me back into science and
to this day still enjoy re-reading his books and of course exploring
electronics and astronomy. "Pale Blue Dot" is a small tribute
to him and the Voyager project.